M.I Abaga – The Hate Lyrics

Here is the official lyrics of The Hate by Famous Nigerian singer and talented songwriter, M.I Abaga.

Check out M.I Abaga The Hate Lyrics

M.I Abaga – The Hate Lyrics

[Chorus]
What’s up with all the hate though?
What’s up with all the hate though?
‘Cause all I done for you niggas is make roads
What’s up with all the hate though?
War-time I’m ready nigga Kratos
What’s up with all the hate though?
What’s up with all the hate though? My nigga

[Verse]
You don’t respect your elders anymore
Alright, it’s okay bro
But you should bow down when you talk to me
The bought my shit down in soweto
I’m a god, I’m a king, I’m a Pharoah (Yes)
Been a leader since I was a day old
When I talk you should pay close attention
‘Cause of why? ‘Cause I say so
What’s up with all the hate though?
I pun the philosophy from plato
From now y’all anonymous to me una dey break code
Me, I been blessеd by mai ceto
Flows been decent, not just rеcent
Boss since y’all was in nursery
I turned forty last year but I been a legend since way back when I was like fu- thirties
Think about it
When you see me, you show courtesy
‘Cause I show you thirsty niggas mercy
I heard this one nigga say that he would mock me
Make me a legend for eternity, na nigga you rebirth me
And you’re not even worthy
I get sick when I talk about it, allergic
My brother’s the emperor and you’re not even the sergeant
I made a away for you to eat, I was determined
Ohhhh, I got a sermon
I made the rap game better for niggas like you then helped you specifically, nigga I earned this
And that’s why anytime they call me vermin
I get so angry, mehn I’m burning ’cause I’m a lion
Ain’t funny that’s my fucking name
Jukun man from Taraba here to change the game
Since they heard my lines anytime niggas drown, called themselves the best it’s I hear
Doesn’t hit the same
How far will all the hate bro
I’m war ready, I’m soldier boy, I’m drako
Imma run through paper, imma staple
Slow niggas can’t win here, that’s a fable
You’re looking at the general in plain cloths
You stop faking then we make snow
Young blood I’m at the big man table
Sitting there with my nigga Naeto (Yes boss)
Strategizing how to free the people
Making chips without peeling the potatoes
Nigga can’t catch up if I give them all tomatoes
Fuck with me and end up in the deep hole (l-l-l-louda)
That’s on finito, final
New album out on vinyl
Chopsticks on the beat, feel it in your spinals
Changed my name from MI Abaga, I’m the GUY now
What’s up with all the hate though?
You’re talking to a legend- in the flesh
Show some respect

[Outro]
Do you understand?
Ehn, do you understand me my brother?
Levels dey for this shit oh
Calm down levels dey no worry yourself
Okay, Okay, Okay
Hear this one now, hear this one now, hear am”

Listen and Watch the video below;

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FAQs About “The Hate” by M.I Abaga:

What’s the meaning behind the hook “What’s up with all the hate though?”

M.I angrily addresses critics and detractors who’ve responded with jealousy or animosity. The repetition is rhetorical—he’s questioning why people resent him despite his contributions to Nigerian hip‑hop and his influence in paving the way for others.

Which themes and references stand out in his verses?

He asserts his status as a leader and veteran (“I’m a god, I’m a king, I’m a Pharaoh”), underscores his roots (“Jukun man from Taraba”), and emphasizes his lifelong dedication (“boss since y’all was in nursery”). He also invokes philosophical ideas (“philosophy from Plato”) and mixes mythic imagery with street swagger (“war‑time I’m ready … Kratos”) to reinforce his dominance.

How does this track fit within the album The Guy and M.I’s broader message?

The Hate is an opener of sorts—it sets the tone for The Guy, a project where he confronts his critics directly. As noted by EARMILK, the song reflects M.I “in his bag,” addressing why so much hate is directed at him despite all he’s done for Nigerian hip‑hop .

Are there cultural or personal nods in the song?

Yes. He references his Jukun heritage (“Lemfani … Jukun man from Taraba”) and asserts his authority within the Nigerian rap lineage. The recurring lines about respect, age, and status tie deeply into African and hip‑hop ideas of seniority and legacy.

Why does the production feel cinematic and aggressive?

The production (by Chopstix) uses dark, moody tones—absent of conventional melody—letting M.I’s fierce delivery and poetic braggadocio take center stage. Critics mention the track’s “brooding, cinematic and dark” vibe is perfect for channeling his frustration and confrontation with detractors

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